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Visual artist · Verona, Italy
Painting · perception · language · absence
Enter current research
Braille is moved from touch to sight and stripped of its original accessibility. The painted code becomes simultaneously present and unusable: a language transformed into an image of language.
The viewer’s frustration is not an accident but part of the work: language survives as form while meaning recedes.
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A constellation of errors and false truths; a visual labyrinth that turns the art market into a diagram of unstable meaning.
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An anatomical image becomes a threshold between empirical evidence and the stories consciousness tells about itself.

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Faces without a voice hover between sleep, erasure and testimony. Their anonymity makes the act of looking ethically unstable.

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A long-running project built around the paradox of repair: a cut is opened and then visibly sutured. Rather than sharing the same commercial register as the current research, FIXED is presented here as a historical hinge — between rupture, concealment and the later problem of inaccessible language.
Marco Corridoni’s research investigates the threshold between presence and access: what happens when an image, a body or a language is visible but cannot be fully possessed.
Moving between hyperrealistic drawing, painting, mixed media and interventions on the surface, he constructs images that reveal and withdraw at the same time. Faces are covered, bodies interrupted, wounds sutured, and codes remain available to the eye while refusing comprehension.
Across earlier and recent works, the same tension returns through mortality, concealment, repair and failed communication. Technical precision is used not as an end in itself, but as a way to make absence materially convincing.
Born in San Severino Marche, Italy, in 1991. Based in Verona. Painting, Academy of Fine Arts of Urbino, 2014; second-level diploma in Painting, Brera Academy of Fine Arts, Milan, 2017.